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The classic Elizabethan play, with new material
From the Elizabethan period's second-biggest dramatist comes the story of Faustus, a brilliant scholar who sells his soul to the devil in exchange for limitless knowledge and powerful black magic.
- Sales Rank: #156870 in Books
- Published on: 2010-04-06
- Released on: 2010-04-06
- Original language: English
- Number of items: 1
- Dimensions: 6.81" h x .75" w x 4.25" l, .30 pounds
- Binding: Mass Market Paperback
- 241 pages
Review
"This edition is absolutely essential for any serious student or teacher of this perpetually intriguing and vexing play." (Peter G. Platt Studies in English Literature 48.2 (Spring 2008) )
"Michael Keefer's revised edition of Marlowe's Doctor Faustus is now all the more an indispensable text for students, teachers, and scholars of early modern English drama. It combines immense learning with perfect clarity and accessibility. It gives us a solidly reconceived text and also a brilliant historical introduction that fills each line of this strange and moving play with the sounds of a world in intellectual and religious crisis." (Paul Yachnin ) --Paul Yachnin
From the Publisher
This is a full cast production with sound effects and original music produced at the Canadian Broadcasting Centre.
Length is approximately 2 hours.
From the Back Cover
One of the most durable myths in Western culture, the story of Faust tells of a learned German doctor who sells his soul to the devil in exchange for knowledge and power. Early enactments of Faust's damnation were often the raffish fare of clowns and low comedians. But the young Elizabethan playwright Christopher Marlowe (1564–1593) recognized in the story of Faust's temptation and fall the elements of tragedy.
In his epic treatment of the Faust legend, Marlowe retains much of the rich phantasmagoria of its origins. There are florid visions of an enraged Lucifer, dueling angels, the Seven Deadly Sins, Faustus tormenting the Pope, and his summoning of the spirit of Alexander the Great. But the playwright created equally powerful scenes that invest the work with tragic dignity, among them the doomed man's calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great Book, Great Price
By Eric Taylor
Because this was reproduced printing from an earlier source, I expected the layout and maybe smallness of the text to be a problem. I was very suprised. It was a very good read and Christopher Marlowe is just awesome. Great story of temptation and regret. Everyone should love this book.
0 of 0 people found the following review helpful.
I thought it as a great play. Of course the story has been done ...
By happy buyer
I thought it as a great play. Of course the story has been done by many. I was familiar with the story. Like this one the best.
85 of 98 people found the following review helpful.
The English Faust
By Dmitrij Gawrisch
Not everybody knows Faust(us). But a lot do. Most readers know this tragic personnage who allied himself with the devil and finally paid the price for his betrayal of God from a famous play written by J.W. Goethe. It was him who wrote the most famous version of Faust's history. (If you want to know more about Goethe's work, please visit my reviewer page.) But he wasn't the only dramatist who considered this lost magician worth a tragedy. Exactly 2 centuries and 1 year before Goethe published his work, a play by the Englishman Christopher Marlowe saw the light of the world.
Marlowe and Goethe are different personalities living in completely different times so that it's no wonder their plays vary in character. Goethe lived in prosperity and had all his life to think about subjects like human nature, social relationships, history and its influence on the present, love, religion and much more. He was a philosoph, and that's the reason why Goethe's "Faust" is sometimes difficult to understand because you have to dive under the surface of things to understand their true nature. Marlowe's work is different: This man was certainly very intelligent and knew a lot about the forces that moved the world, but, unlike Goethe, he didn't have a lifetime to think about one single play. You can imagine that Marlowe's "Faust" became more shallow, but still not shallow enough to be ignored by this imaginary institution we call World Literature. As a compensation, Marlowe's work contains more life and action in it, something I can't say about Goethe's. Both men were geniuses. In this review, I'd like to pay my tribute to the Englishman.
As stated above, the play tells the story of a medieval scientist who allies himself with the devil. The latter promises to serve the first in this world, whereas Faust must do the same in hell. The poor doctor doubts his choices because it's his soul being sold, still he follows the devil and has the time of his life. I beg your pardon, for I feel the need to return to Goethe to show you another important difference between both versions: Whereas Marlowe's Faust wants the devil to provide him with fun and all richness of the world (materialism), Goethe's alter ego feels the importance to be educated by the devil to get a complete picture of the world. At the end, Marlowe's Faust realizes that all experiences weren't worth his soul. He begs God to save him, but it is no longer possible. The devil tears his body apart and takes his soul with him to infinite sufferings.
The effect this play had on me was tremedous. Fascinated, I watched Faust's development. I particularly liked the 5th act where he realizes that all is finally lost. You can really feel his pain in those scenes; the effect is unbelievable.
So, if you want to be touched by human tragedy, I really advise you to read this book. It's done very quickly, so you needn't worry about the time it takes. If you want to make a step further and find additional material on Faust, read Goethe's "Faust 1" as well as Thomas Mann's "Doctor Faustus". It's a marvelous novel and the most modern narration based on the medieval German scientist named Johann(es) Faust(us).
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