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The Culture of Spontaneity is the first comprehensive history of the postwar avant-garde, integrating such diverse moments in American culture as abstract expressionism, bebop jazz, gestalt therapy, Black Mountain College, Jungian psychology, beat poetry, experimental dance, Zen Buddhism, Alfred North Whitehead's cosmology, and the antinuclear movement. Daniel Belgrad shows how a startling variety of artistic movements actually had one unifying theme: spontaneous improvisation.
"A compelling narrative, putting living flesh on shorthand intuitions that connect North Beach to Black Mountain College, Fenollosa to Pollock, Jackson Lears's No Place of Grace to Todd Gitlin's The Sixties."—Joel Smith, Boston Review
"An invaluable introduction to postwar modernism across the arts."—Thomas Augst, Boston Book Review
"Belgrad's extensive probing of the artists and movements with their profound sociological roots is timely as well as comprehensive....A major contribution for serious scholars."—Choice
- Sales Rank: #2351524 in Books
- Published on: 1998-06-08
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.20" w x 6.00" l, 1.45 pounds
- Binding: Hardcover
- 351 pages
Review
"Smart went crazy," Allen Ginsberg wrote in 1949. Detractors were eager to agree that the "culture of spontaneity" was a blind for neurotic misfits: the nihilist paint-dribbler, the nodding soloist, the sensation-addled writer who had "lost his eraser." Daniel Belgrad shows that for young artists coming out of the industrial indoctrination of the War, or spit from its corporatized propaganda offices, the political was not only personal but physical. (Trumpeter Tony Frusella knew what he was talking about when he quit Charlie Barnet's big band, calling it "just like the army.") Having unearthed the institutional, intellectual, and personal linkages of the period that earn his book its broad title, Belgrad has gone on to write a compelling narrative, putting living flesh on shorthand intuitions that connect North Beach to Black Mountain College, Fenollosa to Pollock, Jackson Lears's No Place of Grace to Todd Gitlin's The Sixties. While film and photography would seem to deserve a chapter more than ceramics does (Robert Frank, amazingly, goes unmentioned), the latter's inclusion suggests an acute historical eye at work, finding the keynotes of an era in activities from which the vain gaze of the present has silently shifted.
Copyright © 1996, Boston Review. All rights reserved. -- From The Boston Review
Most helpful customer reviews
8 of 8 people found the following review helpful.
Required Reading
By Robert Lowe
Whether your interest is in improvisation, spontaneity, creativity, performance, popular culture, or modern history, this book provides necessary background in understanding origins of much of the creativity that defines the lives we lead in the Western World today. Mr. Belgrad's work is academically rigorous and beautifully written at the same time. The connections among and between the people who have often previously been thought of as individuals or members of subcultural cliques is amazing. Belgrad's list is long and impressive and beautifully researched. From the beat poets and writers (Keroac, Ginsberg, Leroi Jones), to the abstract impressionists (Pollack); from the Zen potters to the modern and improvisational dancers (Merce Cunningham); from New York to Black Mountain College to San Francisco, the era of Post War America was explored by amazing people. This book links and weaves the lives, ideas, work, and play of these people as no one has ever done before. Mr. Belgrad's reference list is a gold mine of research directions. If you are seriously involved in Improvisation at any level this is absolutely required reading.
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