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First performed in a hit off-off-Broadway production, and soon to be a film starring Sigourney Weaver and Anthony LaPaglia, The Guys is a timeless drama about the surprising truths people can discover in ordinary lives, and the connections we make with others and ourselves in times of tragedy.
Paralyzed by grief and unable to put his thoughts into words, Nick, a fire captain, seeks out the help of a writer to compose eulogies for the colleagues and friends he lost in the catastrophic events of September 11, 2001. As Joan, an editor by trade, draws Nick out about “the guys,” powerful profiles emerge, revealing vivid personalities and the substance and meaning that lie beneath the surface of seemingly unremarkable people. As the individual talents and enthusiasms of the people within the small firehouse community are realized, we come to understand the uniqueness and value of what each person has to contribute. And Nick and Joan, two people who under normal circumstances never would have met, jump the well-defined tracks of their own lives, and so learn about themselves, about life, and about the healing power of human connection, through talking about the guys.
- Sales Rank: #1173977 in Books
- Brand: Brand: Dramatists Play Service, Inc.
- Published on: 2003-01-01
- Original language: English
- Number of items: 1
- Dimensions: 7.75" h x 5.25" w x .25" l, .10 pounds
- Binding: Paperback
- 72 pages
- Used Book in Good Condition
From Library Journal
Compelled by the tragic events of September 11, Columbia Journalism School professor Nelson volunteered to write eulogies for a fire captain who lost eight men. When director Jim Simpson of off-Broadway's Flea Theatre learned about her efforts, he recognized the potential for an original play. With his encouragement, first-time playwright Nelson feverishly wrote this two-character, one-act work, showing great sensibility and compassion. Premiered at the Flea Theatre on December 4, 2001, the play has been a running success. In these finished eulogies, the fire captain's sketchy recollections of four of his men at work and at play were transformed into full portraitures. Through skillful dialogs and monologs, minimal props and setting, Nelson transcended time and space to create a moving, cathartic work. The book includes three pictures from the Flea Theatre production, a lengthy preface and afterword by the author, and a list of suggested readings. This timely literary work is highly recommended for all academic and public libraries.
Ming-ming Shen Kuo, Ball State Univ. Lib., Muncie, IN
Copyright 2002 Reed Business Information, Inc.
From Booklist
From her experience helping a New York fire captain prepare eulogies for the men in his command who died on 9/11, Nelson distilled this two-person play. Premiered in December 2001 at a theater near the WTC and struggling to survive in the tragedy's wake, it consists of monologues by Jane, a journalist; dialogues between her and Nick, captain of a decimated company; and overlapping closing monologues as Jane speaks her heart and Nick, who has already spoken so much of his, reads the words Jane has fashioned for him. The time limitations of viable performance allow limning only a handful of firefighters, and Nelson makes the most of those strictures, presenting a veteran, a probie (a rookie on probationary appointment), and two men in mid-career. Drawing on her knowledge of Argentina and the American heartland, Nelson also has Jane voice some far-flung perspectives on 9/11. Deeply moving when read, the play may be overwhelming onstage and in the forthcoming film version. Nelson's preface, afterword, and further reading advice worthily fill out this book. Ray Olson
Copyright © American Library Association. All rights reserved
Review
“The Guys cannot but hit home.”
—New York magazine
“A stark and simple, potent and poignant play, brimming with edgy humanity.”
—New York Post
“The Guys is not an ordinary night in the theater....What comes through is that humanity can be exalted by expression as well as the other way around.”
—The New York Times
“New York’s most cathartic theater event.”
—Entertainment Weekly
“[The Guys] goes beyond theater. It’s not just entertainment. It [is] a real, moving document.” —Robert Altman
Most helpful customer reviews
1 of 1 people found the following review helpful.
A WOW of a single event AND of humanity, all at once.
By Julie Jordan Scott
This play is fascinating on many levels - and is rich
enough to continue to wow audiences long after
September 11 sinks deeper into history.
There is a lot of truth here - richly evident in the
human element of the stories Joan and Nick
weave together at a time when stories (beyond
horror and heartbreak) were able to tell.
Joan, a writer, is introduced to Nick in the days
after September 11 because Nick has the
privilege - and the awesome responsibility -
to speak at the funerals of his men who died
in the attacks on the World Trade Center.
The audience (in this case, reader) gets to know
Joan, the interviewer and more - about her
background in Oklahoma. We learn, for me
it was first hand and finally, about the magnitude
of the impact this event had on the New York
fire departments, especially in Manhatten.
The relationship between Nick and Joan is
remarkable AND truthful - sort of a universal
relationship of souls connecting post tragedy
of this size and strength.
Finally - I enjoyed reading the Preface, the
Author's Note and the Director's Note. It
felt almost sacred to hear how this very vital
piece of theatre, and literature, came into
being.
I would love to see it performed somewhere.
Ah, to be so blessed.
2 of 2 people found the following review helpful.
The Days After.
By tvtv3
THE GUYS is a two-character play based upon real life experiences. The characters of the play are Joan and Nick. Joan is a writer who is asked by Nick, a fire chief, to write eulogies for the men at his fire house who died on September 11th. Nick wants to honor his friends and comrades, but doesn't know how. He seeks Joan to write down on paper what he knows from memory and remembers from his heart.
THE GUYS is a short play, ninety minutes when performed, varying from monologues by Joan to scenes where she is discussing with Nick the men who died that day. The play is moving and seems to capture much of the spirit of our nation during that time. The rememberances of each of "the guys" are vivid and though are based on sketches of many real life fireman, their lives are representative of any number of Americans. The play truly is an honor to them because it illustrates what a hero really is, just an ordinary person who arises to the occassion during extraordinary times.
The play is extremely well-written and simple. The character of Joan appears to be mostly based upon the author herself, though there are probably some differences. Overall, a beautiful piece of dramatic art. Other than that, it's a wonderful play.
9 of 10 people found the following review helpful.
A powerful post-9/11 play
By Michael J. Mazza
There have been a lot of books written in response to the terrorist attacks of Sept. 11, 2001. But "The Guys," by Anne Nelson, is definitely one that stands out from the pack. This is a two character play. The preface states that it "is based on a true experience."
"The Guys" tells the story of Nick, a New York City fire captain who has lost many men in the terrorist attacks on the World Trade Center. He comes to see Joan, a writer, so that she can help him write eulogies for his fallen men. As the two characters talk about the dead firefighters, Nick opens up and they create testimonies to these men.
This is a very moving work of drama. Although rooted in the events of 9/11, the play touches on issues that transcend that specific historical moment; it's about the place of a writer in society and about the potential power of words as healing tools. It's also about how extraordinary events impact ordinary people.
A director's note states that the play was commissioned in response to the 9/11 events, and opened in December 2001. Recommended as a companion text: "The Laramie Project," co-authored by Moises Kaufman; this is another fact-based play about how people respond to a violent tragedy.
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